In today’s post I feel compelled to discuss two subjects.
First and foremost, last week on Thursday, I successfully defended my Master’s Thesis. And this very morning, my grade was posted…as was my Master’s Degree.
Here’s my transcript:
Isn’t it pretty?
(You'll have to click on it in order to read it.)
I’m getting buzzed just looking at it.
Secondly, and on a completely different topic, I have just recently learned Joss Whedon, My Beloved Secular Humanist Master, will be directing the upcoming Avengers film. If you are unaware of the significance of this choice, allow me to infuse a little context into your world.
There have been or will be five “prequels” leading up to the Avengers film: Iron Man, Iron Man2, Hulk, Captain America, and Thor. The creation of these films has not only pleased the legions of comic fanboys out there, but with the massive success of Iron Man and Iron Man 2, people who have never taken an interest in the canon of comic books are starting to pay attention.
(Joss, as embarrassing and inappropriate as this sounds, is my grown up Bopper pin-up boy!)
The information that Joss would be directing is exciting to me for a variety of reasons.
1. I thought with the untimely death of Dollhouse, Whedon may be forced to lay low for a little while. This proves the death of his most recent television series is not the end of his career by any stretch of the imagination.
2. This project will give Joss the opportunity to really expand his horizons. For the last two decades, he’s had to make do with measly budgets and okay, b-grade, or unknown actors. With this next project, he’ll be working with Robert Downey Jr., for crying out loud.
3. I’m excited to see what he does with such a large cast in film format. He’s always done well with large ensembles in TV-speak. This is a real change, and I’m eager to see what develops.
That being said, some of you may be wondering why I’m even talking about this. I’ve spent a lot of time wondering how to approach the subject of Joss Whedon. It’s hard to explain to people who are not sold and devoted fans, such as myself. Why would anyone care about a moderately successful sci-fi/fantasy, writer/director, whose greatest claim to fame was a couple of late 1990s, early 2000s television shows: one about a rail thin, ditsy vampire slayer, and the other about a crew of space cowboys who speak Chinese?
The only true evidence I can offer is simple but profound. Joss Whedon writes stories that express the innate questions all people have about the human condition. More importantly, he continually approaches subject matter that explores issues of ethics and pushes his audience to think beyond the fantasy or genre. He is a revolutionary artist, and I love him.
(If you’re interested, please read one of my previous posts on Buffy: Television=Brain Liquefier)