Ah...the wonderful Girlyman. We'll talk more about them later.
Author’s Note: I realize some of my more devoted fans have wondered what I’ve been up to the last little bit. I apologize, but I feel guilty writing for pleasure, when I should be writing thesis pages. Thus, “My World” will be getting “short-changed” until the end of the summer. This doesn’t mean I’ve stopped writing altogether—it’s just gonna be less until my thesis board grants me life again.
Dollhouse & A Brief Message about Independent music
In an unexpected move, Fox TV Network has given Joss Whedon’s Dollhouse a second chance at life. Dollhouse, before season one ended, was barely averaging 3 million viewers a week. Comparatively, Fox TV’s highest rated series, American Idol, averaged 35 Million viewers a week. Even if we were to compare Dollhouse to a relatively close in genre show like Fox’s Bones, we’re still talking an average of 8 million viewers a week. Dollhouse wasn’t even doing half of that.
So why is Dollhouse being saved when its ratings should make it the number one show Fox wants to get rid of? There are three reasons. One, Dollhouse is not only distributed by Fox, it’s owned by Fox. So Fox Corporation eventually sees all of the revenue this show will ever produce—DVD sales, online viewing advertisement income—any monetary gain associated with the show. This wasn’t the case for The Sarah Connor Chronicles—distributed by Fox, but owned by the WB Corporation. That show, which was faring a little better than Dollhouse at certain points, finally gasped its last breath and died at the end of its second season.
Secondly, Dollhouse’s upfront costs were relatively steep, but now the show will require very little monetary maintenance. Whedon spent a huge amount on his fully encompassing set, which will allow him to make future episodes for incredibly cheap prices. If Fox were to scrub the show now, there’s a good chance they’d end up spending a heap of money trying to development yet another show not likely to do any better in the dreaded Friday Night timeslot—Friday night shows haven’t done well on Fox since the cancellation of X-files in 2002.
The last reason—and this one is really a vindication for all of those Whedonites that suffered through the death of Firefly—has to do with Fox kicking themselves. When Joss’s show Firefly was cancelled after not even a complete first season was finished, DVD sales indicated it was an incredibly stupid move. They lost big time in potential revenue—fans were rabid enough to help get the show produced into a one-time film/ show finale: Serenity. The film made millions.
So there you go.
My feelings on the subject? I am ecstatic, and my fondness for the show has increased ten fold, due to the last four episodes of season one.
Explanation? It’s simple really. In the tradition of Joss Whedon’s previous shows, it took a while for Dollhouse to gain any emotional momentum. There were too many “stand alone” episodes in the beginning, and I simply didn’t care what was happening. Nothing was set up in the storyline to compel me to come back the next week. But then the writing staff and Whedon finally figured out a rhythm that worked. It is my personal belief the drastic improvements started to take shape when former Buffy writer, Jane Espenson, came on midway through the season.
In addition to those changes, guest actors (most of which were previously introduced to Whedonites in shows such as Angel and Firefly) and surprise twists took this show in a whole new direction, and ultimately, to a whole new level. I’m very pleased Whedon has found a vein of his A-game juice, and I hope he continues to milk it.
And now for the music…
It’s been an extremely exciting summer for music here in my now hometown of Salt Lake City, UT. Perhaps the most exciting experience of all happened this past weekend, when I had the opportunity to attend the concert of my favorite band Girlyman.
Over the many years they have unknowingly enjoyed the top position on “My Favorite Band” list, my efforts to see them in concert have been thwarted by cross-country moves, severe lack of funding due to unexpected early grad school admittance, and excruciating gas prices (Last summer we hit the top of that at $4.20 a gallon.). Driving my truck to their Denver concert, a mere 450 miles away, last year would have cost me somewhere around $150.00. Ouch!
This year, however, was different. They were a little closer—Fort Collins, CO (about an hour closer). Gas has made its way back down, at least temporarily, to a “within reason” price. And I’m in a lot better financial positioning—I’ve paid off my initial student loan. As soon as I read they would come again, I knew I had to go. I HAD TO!
The concert did not disappoint. They sang most of my favorites, a few of their new songs (I can’t wait for their new record to get out at the end of this year!), and they were, most of all, enormously entertaining. I know I said the Brandi Carlile concert was the best I’ve ever been to, but it’s hard to top seeing your favorite band.
After the show was over, I stood in line to meet them, and they were incredibly gracious. They signed a poster, and I even got gutsy enough to ask the great Nat Borofsky for one of the paper play lists they had on their stage that night (a piece of paper with their song sets). They even took a few pictures with me. OMH (that’s: “Oh, my heck!”)!!!!
Thankfully, the summer has a lot more to offer by way of live music here in SLC. Indigos are coming next month, as well as Greg Laswell. So many wonderful artists! "It's my birthday present to me. I'm so happy."
Author’s Note: I realize some of my more devoted fans have wondered what I’ve been up to the last little bit. I apologize, but I feel guilty writing for pleasure, when I should be writing thesis pages. Thus, “My World” will be getting “short-changed” until the end of the summer. This doesn’t mean I’ve stopped writing altogether—it’s just gonna be less until my thesis board grants me life again.
Dollhouse & A Brief Message about Independent music
In an unexpected move, Fox TV Network has given Joss Whedon’s Dollhouse a second chance at life. Dollhouse, before season one ended, was barely averaging 3 million viewers a week. Comparatively, Fox TV’s highest rated series, American Idol, averaged 35 Million viewers a week. Even if we were to compare Dollhouse to a relatively close in genre show like Fox’s Bones, we’re still talking an average of 8 million viewers a week. Dollhouse wasn’t even doing half of that.
So why is Dollhouse being saved when its ratings should make it the number one show Fox wants to get rid of? There are three reasons. One, Dollhouse is not only distributed by Fox, it’s owned by Fox. So Fox Corporation eventually sees all of the revenue this show will ever produce—DVD sales, online viewing advertisement income—any monetary gain associated with the show. This wasn’t the case for The Sarah Connor Chronicles—distributed by Fox, but owned by the WB Corporation. That show, which was faring a little better than Dollhouse at certain points, finally gasped its last breath and died at the end of its second season.
Secondly, Dollhouse’s upfront costs were relatively steep, but now the show will require very little monetary maintenance. Whedon spent a huge amount on his fully encompassing set, which will allow him to make future episodes for incredibly cheap prices. If Fox were to scrub the show now, there’s a good chance they’d end up spending a heap of money trying to development yet another show not likely to do any better in the dreaded Friday Night timeslot—Friday night shows haven’t done well on Fox since the cancellation of X-files in 2002.
The last reason—and this one is really a vindication for all of those Whedonites that suffered through the death of Firefly—has to do with Fox kicking themselves. When Joss’s show Firefly was cancelled after not even a complete first season was finished, DVD sales indicated it was an incredibly stupid move. They lost big time in potential revenue—fans were rabid enough to help get the show produced into a one-time film/ show finale: Serenity. The film made millions.
So there you go.
My feelings on the subject? I am ecstatic, and my fondness for the show has increased ten fold, due to the last four episodes of season one.
Explanation? It’s simple really. In the tradition of Joss Whedon’s previous shows, it took a while for Dollhouse to gain any emotional momentum. There were too many “stand alone” episodes in the beginning, and I simply didn’t care what was happening. Nothing was set up in the storyline to compel me to come back the next week. But then the writing staff and Whedon finally figured out a rhythm that worked. It is my personal belief the drastic improvements started to take shape when former Buffy writer, Jane Espenson, came on midway through the season.
In addition to those changes, guest actors (most of which were previously introduced to Whedonites in shows such as Angel and Firefly) and surprise twists took this show in a whole new direction, and ultimately, to a whole new level. I’m very pleased Whedon has found a vein of his A-game juice, and I hope he continues to milk it.
And now for the music…
It’s been an extremely exciting summer for music here in my now hometown of Salt Lake City, UT. Perhaps the most exciting experience of all happened this past weekend, when I had the opportunity to attend the concert of my favorite band Girlyman.
Over the many years they have unknowingly enjoyed the top position on “My Favorite Band” list, my efforts to see them in concert have been thwarted by cross-country moves, severe lack of funding due to unexpected early grad school admittance, and excruciating gas prices (Last summer we hit the top of that at $4.20 a gallon.). Driving my truck to their Denver concert, a mere 450 miles away, last year would have cost me somewhere around $150.00. Ouch!
This year, however, was different. They were a little closer—Fort Collins, CO (about an hour closer). Gas has made its way back down, at least temporarily, to a “within reason” price. And I’m in a lot better financial positioning—I’ve paid off my initial student loan. As soon as I read they would come again, I knew I had to go. I HAD TO!
The concert did not disappoint. They sang most of my favorites, a few of their new songs (I can’t wait for their new record to get out at the end of this year!), and they were, most of all, enormously entertaining. I know I said the Brandi Carlile concert was the best I’ve ever been to, but it’s hard to top seeing your favorite band.
After the show was over, I stood in line to meet them, and they were incredibly gracious. They signed a poster, and I even got gutsy enough to ask the great Nat Borofsky for one of the paper play lists they had on their stage that night (a piece of paper with their song sets). They even took a few pictures with me. OMH (that’s: “Oh, my heck!”)!!!!
Thankfully, the summer has a lot more to offer by way of live music here in SLC. Indigos are coming next month, as well as Greg Laswell. So many wonderful artists! "It's my birthday present to me. I'm so happy."